Autopia
16mm loop projection from Citroen 2CV, Timber and ply sign
Sybella Perry uses film, video, and sculptural installations to isolate specific factors that attribute to and/or occur from our experience of the cinematic. Often drawing attention to filmic encounters of landscape and the architectural, Perry considers time and movement as the most primal but illusory factors in cinema and presents them as transcendental phenomena.
Conjunctions of sculpture, film and diagrammatic graphics alongside writings conceive movement as a visual transportation through constructions of place and histories and time a parallel dimension. These works could be regarded as structural in their entirety, concerning the metaphysical properties of producing and viewing film rather than the material.